I provide image and video acquisition and rights clearance support for museum exhibitions and publications. I work with curators, editors, and publications teams to locate high-quality image files, coordinate with artists, estates, lenders, and archives, and document permissions clearly and accurately for print and digital use. My work focuses on making complex rights workflows manageable, organized, and deadline-ready, with careful attention to clarity, consistency, and institutional standards.
Core Services:
• Image and video acquisition and file coordination
• Rights clearance for print and digital formats
• Copyright research and permissions tracking
• Credit line preparation and usage documentation
• Coordination with artists, estates, lenders, and archives
Working Approach
As an independent consultant, I intentionally limit the number of concurrent projects I accept. This allows me to dedicate focused time and attention to each client, maintain clear communication, and ensure that deadlines and rights clearances are managed with care and precision. Availability is scheduled on a project basis. W-9 and vendor documentation are available upon request.
Background
I am an independent consultant specializing in digital asset and rights management for museum exhibitions and publications. I support curators, editors, and publications teams through image and video acquisition, rights clearance, and coordinated digital asset workflows aligned with exhibition and publication timelines. I hold a Master of Library and Information Science from San José State University, with a specialization in digital curation, and an Advanced Certificate in Digital Asset Management from the Rutgers School of Communication and Information. Prior to establishing my independent practice, I supported exhibition and rights workflows within a major museum institution.
I welcome conversations with museums seeking project-based support for image and video acquisition and rights clearance.
